Sea Crab
The word “carcinisation” describes the tendency of the natural world towards crabs. Animals outside of the crab family evolve into crab shapes so often that there has to be a special word to describe this phenomenon. This sculpture is another addition to my particular crab family.
“Sea Crab” is my largest crab to date, at 6” across, bright blue and covered in hot pink markings. Its crown is capped by a blue glass tiger eye cabochon.
“Sea Crab”, 2022. 3” x 6” x 6”. Seed beads, crystal bicones, glass cabochon, monofilament.
The word “carcinisation” describes the tendency of the natural world towards crabs. Animals outside of the crab family evolve into crab shapes so often that there has to be a special word to describe this phenomenon. This sculpture is another addition to my particular crab family.
“Sea Crab” is my largest crab to date, at 6” across, bright blue and covered in hot pink markings. Its crown is capped by a blue glass tiger eye cabochon.
“Sea Crab”, 2022. 3” x 6” x 6”. Seed beads, crystal bicones, glass cabochon, monofilament.
The word “carcinisation” describes the tendency of the natural world towards crabs. Animals outside of the crab family evolve into crab shapes so often that there has to be a special word to describe this phenomenon. This sculpture is another addition to my particular crab family.
“Sea Crab” is my largest crab to date, at 6” across, bright blue and covered in hot pink markings. Its crown is capped by a blue glass tiger eye cabochon.
“Sea Crab”, 2022. 3” x 6” x 6”. Seed beads, crystal bicones, glass cabochon, monofilament.